The Role of the Notion of Truth in the Project of Kant’s Critical Philosophy Stefano Straulino 49 - 74 2018-12-13
Showing the lives of others. The ethical and aesthetic diversity in social and humanist photography: : photographic documentation, photo essay and press photography. Teresa Montiel Alvarez 30-38 2020-01-01
La escritura como destino: Borges y las implicaciones metafísicas de la literatura Juan Arana 27 - 44 2013-11-28
Lapoujade, D. (2018). Las existencias menores. P. Ires (trad.). Editorial Cactus. 96 pp. Sergio González Araneda 463-468 2021-06-23
“All Art is Quite Useless”. Continuities and Discontinuities Between Being and Time and “The Origin of the Work of Art” Mateo Belgrano 175 2017-07-01
Romantic love discourse in fashion fictions: Vogue’s Fashion Drama films Alejandra Beatriz Pérez-Escartin 83-98 2023-06-30
Between “Actuality”, “Upcoming” Philosophy and the “Origin”. Critical Borders in the Philosophies of Walter Benjamin and Theodor Adorno María Rita Moreno 307-335 2022-08-13
An affected democracy: Polarization and emotions in the discourse of the new right in Argentina on social media Sol Montero 2024-04-07
Sublime and Painting in Fichte´s First Outline of System in Comparison with Kant Giorgia Cecchinato 201-214 2017-11-11
Johan Ludvig Heiberg and his Diagnosis of the Crisis in Golden Age Denmark Nassim Bravo 131-154 2022-04-18
Foucault and Deleuze: Epistemological and Political Intersections Marcelo Antonelli 123-151 2023-12-07
Principios precríticos y críticos del pensamiento de Emmanuel Kant Juan Carlos Mansur 67 - 84 2013-11-28
Hegel’s Critique of the Notion of “Beautiful Soul” and its Relation to the Characters of Goethe’s Works Carlos Víctor Arnolfo Alfaro 75 - 94 2018-12-13
Jorge Peña: La poética del tiempo: ética y estética de la narración, Santiago de Chile: Editorial Universitaria 2002, 342 pp. Vicente De Haro 237 - 242 2013-11-28
From the cultural industries to the political economy of the film industry Federico Dávalos Orozco 131-154 2022-05-30
Representations of filmic violence from the female gaze. Three post-pandemic Mexican films: Sin señas particulares (Fernanda Valadez, 2020), Noche de fuego (Tatiana Huezo, 2021), La civil (Teodora Mihai, 2021). Juan Carlos Carrillo Cal y Mayor 107-118 2022-05-30
The Matter of Sovereignty: A Philosophical Critique of Walls Ernesto Calogero Sferrazza Papa 443-470 2021-12-11
The value of the forbidden in the campaign carried out to promote a Givenchy brand perfume. Case Study Manuel Canga Sosa 69-82 2023-06-30