Genesis and Evolution of the Concept of Phantasy in Husserl’s Phenomenology Azul Tamina Katz 119-151 2023-04-11
The Preservation of the Work of Art and the Phantasy: A Complementary Reading between Husserl and Heidegger José Luis Luna Bravo 145 - 165 2018-12-13
Models of masculinity in Late-Francoist television fction : the series Este señor de negro [That Man in Black] (Antonio Mercero, 1975-6)* Olga García-Defez 121-133 2022-12-16
Militant Pantheism. Hegel as a Political Symbol in the Marxian Narrative Angelo Antonio Narváez 341-368 2022-12-02
Anti-Semitism and History: On the Role of “World Judaism”in Heidegger’s History of Being Peter Trawny 437 2017-07-01
The Human Condition in Nietzsche. A Reflection from Zarathustra Miguel González Vallejos 305-340 2022-12-02
Spinoza and the Notion of Pluralistic Ontological Perspectivism Cristian Tejeda, Rodrigo Lagos 389-423 2023-12-07
A New Perspective of Elder People Through Mexican Films Alma Delia Zamorano Rojas, Claudia Ivett Romero Delgado, María del Carmen Camacho Gómez 174-190 2022-05-30
Commentary on Virginia Aspe’s “The Political Dilemmas of the Transformations of Mexico: A Philosophical Approach” Luis Aarón Jesús Patiño Palafox 475-489 2022-04-18
Melancholic Body, Mind without Memory, Multitude without Freedom: Three Aspects of Mutatio in Spinoza’s Philosophy Rodrigo Miguel Benvenuto 87-116 2023-08-01
The Oath and the Two Forums: On the Philosophical and Historical Contributions Made by Paolo Prodi to the Debate about the Role of Religion within Western Democracies Andrés Botero, Javier Aguirre 87 - 123 2019-06-29
Representations of filmic violence from the female gaze. Three post-pandemic Mexican films: Sin señas particulares (Fernanda Valadez, 2020), Noche de fuego (Tatiana Huezo, 2021), La civil (Teodora Mihai, 2021). Juan Carlos Carrillo Cal y Mayor 107-118 2022-05-30