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By Author
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New habits, practices, modes of appropriation and rituals of Mexican film consumption in times of pandemic: a case study in Monterrey, Nuevo León
Lucila Hinojosa Córdova
21-31
From the cultural industries to the political economy of the film industry
Federico Dávalos Orozco
131-154
Representations of filmic violence from the female gaze. Three post-pandemic Mexican films: Sin señas particulares (Fernanda Valadez, 2020), Noche de fuego (Tatiana Huezo, 2021), La civil (Teodora Mihai, 2021).
Juan Carlos Carrillo Cal y Mayor
107-118
Online flm training and research in times of pandemic: state of affairs in Spain (March 2020-February 2021: a sample)
Alfonso López Yepes
175-204
Cinematic representation of the madres buscadoras in Mexico: a visual narratives of liminality
Gabriela-Lizette Galindo-Martínez, Alberto Ruiz-Méndez
A New Perspective of Elder People Through Mexican Films
Alma Delia Zamorano Rojas, Claudia Ivett Romero Delgado, María del Carmen Camacho Gómez
174-190
Editorial
Gabriel Domínguez Partida
8-10
Exploring affect, identity, and populism in and around Todd Phillips’ Joker
Nihar Sreepada, Gabriel Domínguez Partida
177-193
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