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By Author
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From the cultural industries to the political economy of the film industry
Federico Dávalos Orozco
131-154
The social function of cinema in times of pandemics
Carlos García Benítez
11-20
Representations of filmic violence from the female gaze. Three post-pandemic Mexican films: Sin señas particulares (Fernanda Valadez, 2020), Noche de fuego (Tatiana Huezo, 2021), La civil (Teodora Mihai, 2021).
Juan Carlos Carrillo Cal y Mayor
107-118
Online flm training and research in times of pandemic: state of affairs in Spain (March 2020-February 2021: a sample)
Alfonso López Yepes
175-204
Mexican cinema, media coloniality and women’s audiences on digital platforms: A case study in Aguascalientes
Sofia G. Solís Salazar
191-202
New habits, practices, modes of appropriation and rituals of Mexican film consumption in times of pandemic: a case study in Monterrey, Nuevo León
Lucila Hinojosa Córdova
21-31
A New Perspective of Elder People Through Mexican Films
Alma Delia Zamorano Rojas, Claudia Ivett Romero Delgado, María del Carmen Camacho Gómez
174-190
Hernán Cortés online. Phisycal and character traits of the conqueror. Online multimedia critical reading model for university students
José López Yepes
25-60
The narrative dimension of the video call: a study of filmic speech acts in two short films by Carlos Trujano.
Andrea Coghi
56-69
Editorial
Alma Delia Zamorano Rojas
9-10
Latin otherness in video games: from the jungle to the screen
Gastón Bernstein
57-66
Enunciative subjectivity and analysis of the pathemic effect in the Twitter publications (X) of the candidates for Governor of Coahuila 2023
Blanca Nahayeli Gómez Aguilera, Crysta Natalia Minor Cervantes, Alan Alberto Hernández Fernández
130-151
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