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New habits, practices, modes of appropriation and rituals of Mexican film consumption in times of pandemic: a case study in Monterrey, Nuevo León
Lucila Hinojosa Córdova
21-31
Connected +: An educational experience in covidianity. Reinventing virtual learning environments in Communication
José Luis López Aguirre
11-24
Mexican cinema, media coloniality and women’s audiences on digital platforms: A case study in Aguascalientes
Sofia G. Solís Salazar
191-202
Communication and Violence(s): Intersubjectivity, media, and emotions in addressing the relationship between communication, violence, and everyday life
Marta Rizo
From the cultural industries to the political economy of the film industry
Federico Dávalos Orozco
131-154
TikTok como herramienta de comunicación política: análisis estratégico del discurso viral de los partidos en España
Julia Senra-Silva, Manuel Moguer-Terol, Francisco-Javier Cristófol-Rodríguez
Exploring affect, identity, and populism in and around Todd Phillips’ Joker
Nihar Sreepada, Gabriel Domínguez Partida
177-193
Claudia Sheinbaum and gender inclusion, a real commitment or political strategy? Analysis of her presidential campaign in X
María-Concepción Estrada-García, Andrea Ruíz-Barrios, Melissa Saldaña-José, Karla-Fernanda Ruíz-Barrios, Nadia-Verónica Salazar-Martínez
Introduction to the study of audiovisuals: an innovative teaching experience in the context of the pandemic in Uruguay
Varenka Parentell
91-91
Video game production in Havana during 2019. An industry under construction?
Hamlet López García, Carlos Fernández Hernández, Fidel Alejandro Rodríguez, Amanda Pérez Piloto
45-56
The value of the forbidden in the campaign carried out to promote a Givenchy brand perfume. Case Study
Manuel Canga Sosa
69-82
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